Watching the Sea Go by Dana Levin
Thirty seconds of coil and surge,
fern and froth, thirty seconds
of salt, rock, fog, spray.
Clouds
moving slowly to the left—
A door in a rock through which you could see
__
another rock,
laved by the weedy tide.
Like filming breathing—thirty seconds
of tidal drag, fingering
the smaller stones
down the black beach—what color
was that, aquamarine?
Starfish spread
their salmon-colored hands.
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I stood and I shot them.
I stood and I watched them
right after I shot them: thirty seconds of smashed sea
while the real sea
thrashed and heaved—
They were the most boring movies ever made.
I wanted
to mount them together and press Play.
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Thirty seconds of waves colliding.
Kelp
with its open attitudes, seals
riding the swells, curved in a row
just under the water—
the sea,
over and over.
Before it’s over.
The poet is filming the beach but I’m not sure why it’s in thirty second increments. But I like the format the poem is in, it didn’t translate well to the WordPress but the poet shifted each line. I wanna try something like that.